Rebecca Bryn, Touching the Wire
Harrowing and Realistic
Touching the Wire is about guilt and shame. It analyses complexities that we habitually manage to avoid. It’s about surviving under impossible conditions – or chose the only way out. It’s about facing life when you wish to die. This book takes its readers down the abyss and leaves us no option but facing the horror that is deep inside every human being.
Shame and guilt are hard taskmasters. Rebecca Bryn shows the agony and regret, the love lost and the emptiness – the pain — and the forgiveness. Her strong prose makes the protagonist’s humanity realistic. She creates a balance between his background and remorse. Here is a vivid and absorbing read that will make you think — and think again. Highly recommended.
James Donaldson, Witching Hour
An Entertaining take on Cults
A doomsday setting, a blood cult, a damsel in distress. A hero who takes on an entire village in an endeavour to debunk the myth that holds the cult together. The elements of Donaldson’s Witching Hour are simple, but he adds some unexpected twists. The proverbial brawny henchmen add comic relief, but the protagonist, the hero, Nash knows how to fight. Nash’s thoughts sustain the plot in an entertaining read that will keep his readers enthralled.
Kate McGinn, Winter’s Icy Caress
FBI, Vengeance, Ice, Love, Betrayal
Kate McGinn is a good writer – I read one of her short articles, which was brilliant. In the hope that her novel writing would have the same standard, I bought Winter’s Icy Caress. There is much to say for her writing, the prose flows and the storyline benefits from her skill. On a personal note, her heroine’s obsession with her love interest’s looks became repetitive. Other than that, the plot was engaging with many twists and turns. McGinn keeps her readers guessing.
Cindy Davis, Final Masquerade
How to Escape the Mob
Witnessing her fiancé murder his best friend pivots Paige Carmichael onto a headlong flight. Without time to consider the danger, she takes some money and a precious coin out of her fiancé’s safe. Then she absconds with her booty. Her hope that clever disguises will help her gain safety backfires again and again. So far, this novel doesn’t distinguish itself from most suspense fiction. What makes it stand out is that the protagonist learns that there’s more to life than shopping and looks. At first, a shallow character, Paige learns that friendship, honest work, trust, and love for pets, as well as humans, enriches life. Recommended
Carol Marrs Phipps & Tom Phipps, Wham
Wham is a fitting title to a dystopian scenario that hits you between the eyes. There are elements of Margaret Atwood in the class divisions, but the authors have their own style. They bring across their message with compelling prose. The characters, be they elves, fairies, wizards, potentates, or ‘ordinary’ school children, are convincing and real. The world building is as strong, and the wasteland of the ‘normal’ world contrasts resoundingly with the hidden fairy country. As the first book of a series, it sets the scene for coming adventures. Here, my personal view is that ‘Wham’ is too short.
For me, the problem with series is that the necessary hook often leaves the reader without a sense of closure. True, if the ending is definite, there’s no reason to continue. All the same, there are several examples of series (e.g. by Guy Gabriel Kay or Ursula Le Guin) where every part has a conclusion, although the readers want to know what happens next.
This doesn’t detract from the excitement and heart-stopping agitation that Wham gives its audience.
Soleil Daniels, Halfborn
A Confrontation with Guilt
Coral hides. Her occupation is staying away from people — unless her needs force her hand. That’s when she seeks society, knowing that she must clean up afterwards. Money isn’t a problem, but her cravings are. Mostly she is in control and does only what is necessary. Enter Marshall Kevin O’Neal, and Coral’s life changes forever. She loses control for the first time in her life and there’s no way back — neither for her nor for him. His suffering makes her aware that there are questions to answer. The only problem is that she doesn’t know where to find the necessary knowledge.
From then on Coral’s life becomes one long trip. She must tackle her guilt, although she has no idea of the reasons behind her action. She and Marshall go on the road, to escape the consequences of their actions and to find out what they’ve become.
This is strong meat and an unusual twist on vampire mythology. Daniels presents an allegory that shows how lack of knowledge can pull people out of their comfort zone. Bonded in their lust and guilt, Coral and Marshall must learn who they are or face the consequences.
The characters are believable and engaging, but more than that, their troubled journey creates a brooding backdrop for the conflict they face.
William Gareth Evans, Within the Glass Darkly
A Traditional Vampire Tale.
WGE draws on the original vampire mythology, as narrated by Sheridan Le Fanu and Bram Stoker. Their inspiration partly originates in Hungary, with Countess Elizabeth Báthony (1560-1614), a serial killer of magnificent proportions. It may not be the greatest wonder that the vampire idea caught on in the nineteenth century, when female sexuality was ignored, and male sexuality was repressed.
WGE spins his tale, using some of the well-known Le Fanu characters, as well as Bram Stoker’s Dracula and Van Helsing. The action takes place around the Parisian Vampire Theatre that Anne Rice celebrates in her vampire series.
With all these references, it is astounding that WGE manages to present his personal take on the mythos. He does it with panache and conviction, adding his own ideas and bringing his celebration of this bloodthirsty chapter in literary history to life. The introduction of a male counterpart to Carmilla, works wonders. The age-old vampire is a formidable fiend. His first killings make your hair stand on end. To find out more, read Within the Glass Darkly.
Millie Thom, Shadow of the Raven
Finding Balance among Vikings
In Mercia, the Vikings raid with impunity. That makes it easy for an envious brother to stage fratricide and usurp power. The true king’s family suffers the consequences. Millie Thom brings the political tensions, the greed and resentment to life. There is a gallery of believable characters, led by to boys, Eudwulf and Alfred. Through his captivity and thraldom, Eudwulf becomes familiar with Danish everyday life. To survive, he gets involved and learns to appreciate that Vikings aren’t all monsters. That doesn’t mean that he stops wishing for revenge, both against the Viking that killed his father and against the Mercian Traitor. Back in Mercia, Alfred lives a toddler’s life, although he early develops an awareness that not everybody can be trusted.